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Compared to opening day (seen below), Clinton station has not changed a great deal, save for more modern turnstiles and the additional of several types of vending machines. This view looks west at the fare controls from the unpaid area of the mezzanine on December 7, 2001. For a larger view, click here. (Photo by Graham Garfield) |
Clinton
(540W/500S)
Clinton Street and
Congress Parkway, West Loop (Near West Side)
Service Notes:
Blue Line: Milwaukee-Dearborn Subway
Transfer to Amtrak
Transfer to Metra:
Milwaukee District North and West Lines
North Central Service
Burlington Northern Santa Fe Line
Heritage Corridor Line
Southwest ServiceOwl Service
Quick Facts:
Address: 426 S. Clinton Street
Established: June 22, 1958
Original Line: Milwaukee-Dearborn Subway
Previous Names: none
Rebuilt: n/a
Skip-Stop Type:
Station
Status: In Use
History:
While Clinton station is the first station (or last, depending on one's directional of travel) in the Milwaukee-Dearborn Subway, it's actually contains a somewhat interesting amalgamation of details and finishes, owing to the fact that it was not built at the same time as the rest of the stations on that subway line.
When the Milwaukee-Dearborn Subway opened in 1951, it was fed only from the north end and terminated at LaSalle/Congress, one stop to the east. It was always intended to continue the subway west from there, but what form that extension would take changed a bit over time. When the Dearborn Subway was first planned in the 1930s, the continuation toward the West Side was visualized to be a cut-and-dry continuation of the same type of subway going westward, replacing the Garfield Park elevated. However, by the time the subway opened in the 1950s, those plans had been modified to place the extension in the median of the new Congress Street Superhighway, one of Chicago's first major limited-access expressway projects. Thus, the subway extension would be short, only long enough to bring the line to the expressway, at which point the line would ascend to the surface and continue westward in the median.
Looking west at the fare controls in the mezzanine in 1958 not long after opening, this view shows what Clinton looked like as-built. Note the posters taped to the column that explain the new West-Northwest Route service. For a larger view, click here. (Photo from the CTA Collection) |
There were, however, numerous small differences between Clinton and its other Dearborn Subway brethren, some of which result from influences from the Congress Line median station being built at the same time and others of which seem to have been changes of heart since the Initial System of Subways first hit the drawing board in the 1930s. The fare control booth, rather than consisting of the stone walls and glass windows on all four sides like the previous subways', was of steel construction with glass windows on all sides but one. The "rear" of the booth connected to a small enclosure that housed a toilet for the agent (accessible from inside the booth) and a porter's closest (accessible from the unpaid area). This arrangement is also interesting in terms of how these things are arranged vis a vis entering passengers. The enclosed rooms essentially present a solid, blank wall in the middle of the unpaid area that blocked the ticket agent's (and now Customer Assistant's) view of the unpaid area and entering passengers and vice versa. In essence, the booth put its "back" to the unpaid area, presenting its windows only to the fare control area and the paid area. Taking a queue from the more utilitarian, functional Congress stations, the mezzanine also lacks nearly all of the passenger amenities that the State and Dearborn subways provided. Gone were the men's and women's public restrooms, lockers, drinking fountains, built-in concession stands, and pay phones inside "soundproof" booths. The only toilet was was for the agent and the one public phone that was provided was inside a small hood mounted on a wall in the paid area. Only later was a concession stand retrofit against a sidewall in the southeast corn of the mezzanine's unpaid area.
Other differences were more minor. The station is somewhat unusual in having its four street-level entrances located at a grade-separated intersection: they're not so such centered around the corner of Clinton and Congress Parkway as where the Eisenhower Expressway crosses over Clinton Street. (At this point, Congress Parkway it little more than a frontage street that runs alongside the expressway immediately to the south.) As a result, the stairs to the subway are actually underneath the expressway viaduct, somewhat hidden from view and surely less than ideal in terms of customer appeal. Over the agents' windows in the booth was stenciled the word "CASHIER", as at the Congress stations, rather than "TICKETS" as in the other subway stations. The illuminated signs hung from the center barrel vault down the center of the platform were of a slightly different design than the other subway stations (interestingly, they most closely resembled those used at Washington on the State Street Subway, installed 15 years before). Also unusual is that the porcelain-enamel signage installed throughout the station changed the pattern of the other Dearborn Subway stations of having white lettering on a neutral gray background. Instead, Clinton's signs had a light blue background, matching the station's accent color. Clinton also had some unusual sign boxes not seen at other subway stations, mounted under the soffit of the colonnades and projecting over the edge of the platform along the tracks. These boxes contained roller curtains with different readings which could be changed by the station agent from the booth.
Over the years the station was changed very little. Most of the original fixtures and finishes are still in place, except for a good deal of lighting that's been replaced. The fare controls were changed out for TransitCard turnstiles in the late 1990s, but the original agent's booth remains. Some of the original signage is still in place, as are most of the hanging illuminated signs on the platform (though they are no longer lit). The unusual sign boxes mounted over the trackside edges of the platform are also still in place, though they are also no longer lit and contain only static sign faces.
Clinton received some signage upgrades in March 2004. During a shutdown of the Milwaukee-Dearborn Subway from 2200 hours Saturday, March 6 to 0600 hours, Sunday, March 7 for the installation of telecommunications cables, personnel from the Graphics and Facilities Maintenance departments took the opportunity to install new Current Graphic Standard station name signs on the tunnel walls, replacing KDR-style signs installed in the 1980s. Because of the limited time allowed, only the gray-background station name signs themselves were installed at that time; the blue "tabs" were to be installed a few weeks later. In October 2005, the symbol signs on the columns were replaced with new Current Graphic Standard versions as well. Earlier in 2005, the station entrance signs were replaced replaced with backlit versions inside new stainless steel light boxes mounted on the pylons at the back of the staircases. The lit signs help identify the station entrance stairs, which are sometimes difficult to see underneath the expressway viaduct.
Clinton station is two blocks south of Union Station and a block north of the downtown Chicago Greyhound bus terminal. Clinton station is, of course, named for Clinton Street. Clinton Street was named for DeWitt Clinton (1769-1828), the one-time mayor of New York City and a former governor of New York state who sponsored the construction of the Erie Canal, which led to the rapid settlement of Illinois and the establishment of Chicago as a major shipping port. Hence his importance to the City of Chicago.
The island platform of Clinton station is typical of those in the State Street and Milwaukee-Dearborn subways, although Clinton was built 15 years after the former and 7 years after the latter. This view looks east toward the exit in August, 2002. For a larger view, click here. (Photo by Andrew Stiffler) |
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